Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Alma Tadema.org, welcome & enjoy!
Alma Tadema.org
 

Clarice Beckett
The Yarra

ID: 82324

Clarice Beckett The Yarra
Go Back!



Clarice Beckett The Yarra


Go Back!


 

Clarice Beckett

Australian Painter, 1887-1935,Australian painter. She studied at the National Gallery School, Melbourne (1914-16), and with Max Meldrum became involved (c. 1917) with the Meldrum circle of artists, which included Colin Colahan (1897-1987), Justus Jorgensen (1893-1975), John Farmer (b 1897) and Percy Leason (1889-1959). In 1919 she moved to the seaside suburb of Beaumaris, where she lived and worked for the rest of her life.   Related Paintings of Clarice Beckett :. | Beaumaris | Beach Scene | Moonrise, Beaumaris | St Kilda Road | The Bus Stop, |
Related Artists:
Francesco Vanni
Italian Baroque Era Painter, 1563-1610 was an Italian painter of the Mannerist style, active in Rome and his native city of Siena. He was half-brother of the painter Ventura Salimbeni, and the stepson of Arcangelo Salimbeni, another Sienese painter. His stepfather died when Francesco was young, and as a 16 year old went first to Bologna, then to Rome. There he apprenticed with Giovanni de' Vecchi during 1579-80, though like other Tuscan painters of his day, he was influenced in part by Federico Barocci from Urbino, and he was among the last painters who also reflected the influence of the Sienese School of painting. He was named a Cavalieri. In Rome, he worked later with Salimbeni, Bartolomeo Passerotti, and Andrea Lilio. He was commissioned by Pope Clement VIII to painted an altarpiece for the St. Peter's, later transferred to mosaic, Simon Magus rebuked by St. Peter. He painted several other pictures for Roman churches; including St. Michael defeats rebel angels for the sacristy of S. Gregorio; a Piet?? for Santa Maria in Vallicella; and the Assumption for S. Lorenzo in Miranda. Returning to Siena, where he ultimately died, he afterwards worked at Parma, Bologna, and again at Rome. At Siena, he painted a S. Raimondo walking on the Sea for the church of the Dominicans. Vanni painted a Baptism of Constantine (1586-7) for the church of San Agostino in Siena. He painted a Christ appearing to St. Catherine for the chapel of il Refugio at the Santuario Cateriniano of Siena, and a Baptism (1587) for the former church of San Giovannino e Gennaro.
Scarsellino
(1550 (or 1551) - 1620), was an Italian Late-Renaissance - Mannerist painter of the School of Ferrara. He was born and died in Ferrara; however, he traveled and worked extensively across Italy, encountering many influences. He was born to an artist father, the less-talented Sigismondo Scarsella. Apparently he lived in Venice for 4 years around 1570, though it is not known if he was affiliated to a particular studio. His early works show the influences of various contemporary styles and painters including the venetian schools and locally Dosso Dossi. A number of his works now are at the Galleria Borghese in Rome, The Bathing Venus, Diana and Endymion and Venus and Adonis. Scarsellino worked alongside the brothers Carracci in the Palazzo dei Diamanti in Ferrara. However, unlike the Carracci, Scarsellino's paintings have a decorative quality, and lack monumentality. World War II bombing of Dresden destroyed two of his paintings: Flight into Egypt and Holy Family at Work.
MASACCIO
Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.






Alma Tadema
All the Alma Tadema's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved